Marla and Edy are from Oaxaca. For visitors, Santo Domingo is the postcard everyone takes home: the stone façade, the atrium, the organ-pipe cacti of the Ethnobotanical Garden. For them, it is the church of their own city. They got married there on Saturday, September 19, 2026, in the middle of the rainy season, with a calenda on the way out and a party at Lisianthus Jardín de Eventos.
This is the story of that day, in the order it happened. The times are not from memory: they come from my files.
The morning, a few blocks from the church
They both got ready at the same Airbnb, a few blocks from Santo Domingo: a house in the historic center with a courtyard, a tree in the middle and white walls that, at that hour, fill up with leaf shadows. One of the first photos of the day has nobody in it. It is that light, and the silhouette of someone walking through.
Marla was in white satin pajamas, peeking out of the wooden doors with her friends. Nerves in sight: none. Or if there were any, she kept them well hidden behind the laughter.
Her mom was there from early on, in pajamas too. There is a moment from that morning you rarely see, because it is the other way around from how it usually goes: Marla straightening her mom's pajamas. And a few minutes later, the hug.


On the other side of the house, Edy was putting on his watch.
The first look
A little after ten, both dressed, Edy saw Marla for the first time in the courtyard. The bridesmaids, still in pajamas, crowded in behind with their phones up, one of them even on her knees so she would not miss a thing. And Edy laughed the way you laugh when you do not know what to do with what you are feeling.


Between the stone and the cacti
From there we walked. That is the advantage of getting ready a few blocks from the church: the whole morning happens on foot. There were portraits against the stone of Santo Domingo, and the wedding party coming down the steps in front of the organ-pipe cacti of the Ethnobotanical Garden, several of them carrying the train of the dress.
Between shots, Marla sat down against a stone wall, barefoot, and the team from Mari Carmen Junco Wedding Planner gave her a foot massage. It is the kind of thing that never makes it into a planner's video, and it says more about their work than any centerpiece: at eleven in the morning, with the whole day ahead, someone was thinking about the bride's feet.
The group photo was on the stone steps next to the church: bridesmaids in every color, the groomsmen in green, and the old stone behind them.
Seven minutes later, on the same steps, Marla held up a red umbrella —it was not raining yet— and along the sidewalk above, a man walked by with his bicycle, minding his own business. In downtown Oaxaca a wedding is never alone: the city keeps passing behind it.
And Edy's groomsmen ended up leaning against an orange wall, under the green sign of an Irish pub. Oaxaca is that too.
Santo Domingo, inside
By noon we were inside the church, and Edy's nerves would not let up. At 12:07 I caught him biting his fist.
Two minutes later, the priest said something to him and Edy burst out laughing, his mom hanging on his arm and Marla's mom laughing behind them. I doubt the joke was that good: Edy's nerves were on edge, and nerves come out wherever they can.
Edy walked in with his mom. Marla, on her brother's arm.
Her dad was waiting at the front, in his wheelchair, in a gray suit and a pink tie. Before reaching the altar, Marla stopped, bent down and kissed his forehead, and her mom leaned in with them. It lasted a few seconds, before Mass began. Moments like that do not announce themselves: either you are there, or you do not see them.
Inside, Santo Domingo is an excess in the best sense: the vault covered end to end in gilded relief, and the main altarpiece at the back throwing a warm light that tints everything. For a photographer, the challenge is scale. The nave is so tall the couple gets lost in it; from the entrance, Marla and Edy are barely two figures in front of the altar.
At 1:04 came the lasso, and both mothers placed it: Marla's on one side, Edy's on the other.
The calenda
At 1:19 the doors opened, and the atrium of Santo Domingo did what it does best: fill up in minutes. The chinas oaxaqueñas came out spinning their skirts, baskets of flowers on their heads, and Marla and Edy crossed the esplanade between them.
The white paper parasols were for the sun, which at that hour was beating down.
And all around, the tiliches: dancers covered in strips of colored fabric, with tall palm hats, spinning while Marla's family hugged her. They are not the monos de calenda —those are the giant bride and groom figures— and it is worth not mixing them up; I explain it properly in the church guide.
Then the calenda took to the street: the marmotas with "Marla y Edy" written large, the bride and groom monos swaying above everyone, the brass band, dancers in feathered headdresses and, in the middle, the two of them holding hands. That is the cover photo.
At 1:49, back at the foot of the church, the chinas were still dancing on the cobblestones with half the wedding around them.
That is the advantage of getting married at Santo Domingo: the atrium is so big that the calenda starts before it ever reaches the street, and by the time it does, the party is already on.
Lisianthus, and the rain
The reception was at Lisianthus Jardín de Eventos. Marla and Edy walked in at 3:20 among agaves and cacti, with the guests on their feet and phones up once again.
After five, the dance floor belonged to the mothers first. Edy danced with his; Marla's held her the way she had that morning, only now without pajamas and with feathers on her sleeves.


And at 5:14, the first dance, under the tent, with the floor lights drawing waves at their feet.
After that, there was no stopping the bridesmaids.
Once night fell it started to rain, and hard. The tent held and the party went on as if nothing had happened. The rain gave me something else: a few minutes outside with Marla and Edy, a plaid umbrella and the water falling backlit against a brick wall.
At eleven at night, the party was still going strong.
The day, hour by hour
If you are planning your wedding at Santo Domingo, these are the times from that Saturday, read from my files. It is not a rule —every wedding builds its own schedule— but it shows how a day with a noon Mass and a calenda afterwards actually unfolds.
- 8:40Both getting ready, at an Airbnb a few blocks from the church.
- 10:03The first look, in the courtyard.
- 10:20Portraits, wedding party and groomsmen around the church and the Ethnobotanical Garden. An hour and a half, all on foot.
- 12:13Into the church.
- 13:04The lasso.
- 13:19Out to the atrium, and the calenda. Before two they were on their way to the reception.
- 15:20Entrance to the reception at Lisianthus.
- 17:07The dance floor, first for the mothers; at 17:14, the first dance.
- 20:47Portrait in the rain. The tent kept the party going.
Marla and Edy got married in their own city, with their own people, in the church the rest of the world comes to photograph. My job that day was to be there without getting in the way, the same idea I write about in how I document a wedding without directing it.
If you are thinking about a wedding in Oaxaca, start with the Oaxaca wedding guide, or go straight to packages and pricing.